(May 24, 2018) Minneapolis, Minnesota
A recent lecture and exhibit at
Siouxland Libraries prompted an escape from the store for some pre-Memorial Day
holiday R & R in the Twin Cities. The lecturer in early April at Siouxland was
Curt Pederson, the principal curator of the American Swedish Institute in
Minneapolis. Mr. Pederson delivered a very informative offering on Swedish
culture and folk art. The lecture was accompanied by an engaging exhibit of
Swedish woodcarvings. His presentation
was intriguing.
Afterwards Mr. Pederson was very
patient in answering my questions about both Swedish culture and the artistry. Because
of my interest, and one of his reasons for coming to Sioux Falls was to promote
the Institute, Mr. Pederson extended an invitation to see the ASI sometime when
I come to Minneapolis.
I accepted his invitation
My experience was altogether different
from what I expected. The American Swedish Institute is the engaging story of a
man’s love and pride in his native country with a cultural twist.
Swan Johann Turnblad was born in
Sweden in 1860 and immigrated to Goodhue County, Minnesota when he was eight
years old. Growing up on a farm, Swan learned the values of hard work. After
high school he became a teacher though he continued to help on the family farm.
Swan was ambitious and a very private person.
In pursuit of a better life, Swan
moved to Minneapolis in 1878 where he found work as a typesetter at a Swedish
American newspaper. In Minneapolis Swan met Christina Nilsson, another Swede
who moved to Minneapolis by way of Slayton, Minnesota. Swan and Christina were
married in 1883 and had one child, Lillian.
Swan in 1887 became the manager and
part owner of Svenska Amerikanska Posten. The newspaper was written entirely in
Swedish. Swan was a good businessman. He possessed excellent marketing skills
and vision, was technologically progressive, and was adept in the field of finance
and investment. In today’s terminology he might have been considered a
corporate raider, unusual for a modest Swede.
From 1865 until 1915, one and a
quarter million Swedes moved to the upper Midwest region of the United States
(Wisconsin, Minnesota, and the Dakotas.) Swan Turnblad recognized this market
and at its height, Svenska Amerikanska Posten (SAP), had nearly fifty thousand
subscribers including some in Sweden. An outstanding publisher, he excelled in
his selling advertising and adapting the latest innovations in printing (technology.)
Importantly Swan through financial and
legal strategies consolidated his and Christina’s ownership of SAP. Swan
Turnblad amassed a financial fortune as a result of the newspaper’s success and
other investments.
In 1903 Swan began construction of a
mansion for his family on the corner of Park Avenue and 26th Street,
south of downtown Minneapolis. Park Avenue was known as Minneapolis’ “Golden
Mile”. The mansion was among several other mansions on the Golden Mile belonging
to the wealthy and socially elite of Minneapolis, including several of the
famous millers. Park Avenue was the first paved street in Minneapolis.
The Turnblad mansion was unique,
constructed on a framework of steel. Sixteen carpenters three woodcarvers and
untold number of masons built the home. Included were all the modern
conveniences including electricity, gas heating, indoor plumbing, and
telephone. Because of the steel super structure, the home is very open
employing several pocket doors. The craftsmanship is spectacular and the décor
ornate. The home was built on six lots with a cost over one million
dollars.
What makes Swan’s story fascinating is
this thirty-three-room massive Chateau structure, was built for a family of just
three very private people. They were known to have entertained there only once,
a few years after they no longer permanently occupied the mansion. The Turnblad’s
occupied the home for about five years.
Swan, Christina, and Lillian moved to
an apartment built adjacent to his new offices and printing plant
constructed downtown. In 1915 the Turnblad’s relocated again to a luxurious
apartment house located directly across Park Avenue from their unoccupied but
still maintained mansion. Swan would reside in the apartment the rest of his
life.
In 1930 Swan established the American
Institute of Swedish Arts, Literature, and Science. He gifted the Mansion to
serve as its headquarters and made a large financial endowment to his Institute.
Swan died in 1933 and daughter Lillian who never married moved to a small farm
south of Minneapolis. Lillian left her estate to the Institute, later renamed
American Swedish Institute.
The large and beautiful Turnblad
mansion, the center for American Swedish culture is a paradox.
Swedes are a modest and humble people.
The hallmark of the Swede is expressed by the Swedish word lagom – translated moderation.
Why then did this practical businessman build a mansion he essentially did not
desire? The anomaly was to not so subtlety tell his Norwegian and German
neighbors there was a Swede in their elegant neighborhood!
ASI Today –
Today the ASI carries out Swan
Turnblad’s vision of promoting his native pride, telling the story of the Swedish
culture in America, and fostering Swedish and American relations.
The mansion serves primarily as a
stand-alone attraction, though Swedish art and design are displayed within the
home’s spacious rooms. The Institute’s other undertakings are located in the adjacent
next-door Institute property, the Nelson Cultural Center.
Nelson Center was opened in 2012 and includes
a Nordic themed café, FIKA (in Swedish meaning to have coffee and meatballs are
always on the menu), an art gallery for exhibitions of Swedish art, an art
studio for classes, storage archives for ASI’s collections, and an event space.
The Nelson Center highlights Swedish design and I was impressed by the fact there
are five classes each week for Swedish woodcarving. Gustavus Adolphus College
located in St. Peter, Minnesota founded in 1862 by Swedish Lutherans rents office
space in the Nelson Center.
Curt Pederson and the staff were welcoming
hosts and it was two and a half hours well spent getting new insights to not
just Swedish but Minnesota culture.
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